Favourite Duos #3 - Augustus McCrae and Woodrow Call (Lonesome Dove)

One of my recent favourite reads, with a pretty good screen adaptation, and one of my favourite duos. Just be aware that this post contains spoilers.

Augustus McCrae and Woodrow Call are former captains in the Texas Rangers, who are now the joint owners of a livestock trading firm in the remote Texas border town of Lonesome Dove.

Gus, as he's commonly known, is affable, kind-hearted, talkative, and lazy to the point of eccentric. In contrast, Woodrow - who is referred to by everyone as "The Captain" - is a stern workaholic who believes that everybody should give it their all, and is disdainful of men who drink and gamble their lives away. Which you'd think would put the two at loggerheads. Gus is more interested in wine, women, and song than a hard day's work, but he is also twice widowed and pining for his old flame Clara Allen. Meanwhile, Call is in denial of a liaison he had with a prostitute which produced a child called Newt. When the boy's mother died, the pair took him in, but Call is reluctant to acknowledge that he is Newt's father (an open secret to everybody else).

Like Miles and Jack in Sideways, everything you hate in one character you admire in the other. Personally, I can't stand Call, but I like Gus serving as his foil.

In an odd twist, it's Call who ends up having bigger dreams, and leads the firm on an epic cattle drive from Texas to Montana. It's Gus who needs convincing, being told that Clara is living in Nebraska, on the route they'll be taking. During the journey, Gus is shown to deeply care for Lorena Wood, the town's prostitute who is making her way to San Francisco. When she gets kidnapped by a renegade, Gus ends up saving her, and tries to care for her afterwards. Call also demonstrates a compassionate side (not to mention a berserker rage) when he witnesses a US Army scout assault Newt.

I'm going to spoil it now, to discuss how their flaws end up being their undoing. Gus takes a few arrows to the knee (I'll never look at that meme the same way), and has to have his leg amputated. But by that point the infection has spread to his other leg, meaning that one needs to be amputated too. While he relished the idea of walking around on a crutch, he doesn't like the idea of having no legs, and refuses to allow his other leg to be amputated despite knowing his life depends on it. He asks Woodrow to take him back to Texas to be buried in a place where he used to have picnics with Clara. Woodrow obliges out of a long-lasting loyalty, leaving Newt in charge of the ranch they set up, even giving him his prized horse and watch, but he doesn't admit that he's the boy's father. He also ignores the advice of Clara to have Gus buried on her property.

It's because of this that I gave up on Streets of Laredo. It proves that they're a duo who need each other.

Favourite Duos #4 - Jules Winfield and Vincent Vega (Pulp Fiction)

Credit to Villains Wiki

This is a duo which doesn't get as much screen-time as the others on this list, but there is a clear dynamic between these two characters.

Jules and Vincent are enforcers for the crime boss Marsellus Wallace, who are tasked with recovering a mysterious glowing briefcase from a group of former associates. Vincent presents himself as a suave and charismatic figure, but it becomes increasingly clear that he isn't the most competent henchman around. It's his partner Jules who often sees the job through, but he starts have second thoughts after surviving a shootout due to what he believes is divine intervention.

The frequently re-enacted Breakfast Scene shows the pair at work, with Jules acting as spokesperson while Vincent hangs around and smokes. Instead of checking to see if there's anyone else in the apartment. Like the guy hiding in the bathroom with a hand cannon who tries to jump them, triggering the aforementioned divine intervention. Vincent still refuses to take the blame, and instead chastises their informant for not telling them about the ambush. He later shows a complete lack of trigger discipline while discussing the divine intervention with the informant, accidentally shooting him in the face.

Jules himself goes through an interesting development after the shootout, to the point where he talks down a pair of armed robbers at a diner by explaining his ambivalence towards his life of crime, and the Bible verse he would traditionally quote before killing someone. We still follow Vincent for most of the film, and his story has a clear end. I suppose I haven't really discussed Jules much, but the film essentially shows what ultimately happens when he's not around to back Vincent up.

The duo's opening scene is mostly a casual conversation about burgers, and later shifts to some more plot-relevant dialogue about Mia Wallace, whom Vincent is taking out for a meal. But it's the so-called "Bonnie Situation" which shows how much the pair can get at each other's throats.

I don't know about you, but I want to see a film with Jules "walking the Earth" as he says he's going to do after retiring.

Favourite Duos #5 - Asterix and Obelix

Credit to Wikia

Another duo I'd cite as a major influence. I've talked about the comics on this blog already, but I'll still look at the dynamic between these iconic characters created by Rene Goscinny and Albert Uderzo.

Asterix is a petite warrior from a Gaulish village which has resisted Roman occupation through the use of a magic potion which grants superhuman strength. While this puts him on par with the rest of the warriors of his village, he is nonetheless respected above them thanks to his wits and cunning. This makes him more of a guile hero than an action hero.

Meanwhile, his best friend Obelix is a carver and supplier of menhirs who had fallen into a cauldron of magic potion when he was a baby, which meant it had a permanent effect on him. While his principal pleasures are fighting and eating, he also has a love of animals, especially his dog. He's similar to Lennie from Of Mice and Men in that regard. If he liked fighting. And if his unawareness of his own strength was applied to doors.

Again, this is a duo which shares a close bond. While Obelix isn't the smartest person around, he nonetheless deeply cares for Asterix. The best example of this is in Asterix and the Cauldron, in which Asterix is banished from the village, prompting Obelix to voluntarily go into exile just so he can travel with him.

All in all, they're a duo whose dynamic provides scope for all kinds of adventures. Something I hope to achieve in my own work.

Favourite Duos #6 - Miles Raymond and Jack Cole (Sideways)

Credit to amathusdrinks

If you haven't seen the movie Sideways, I recommend it. This has another classic example of a dynamic duo. I originally heard about them from Doug Walker's "Top Ten Favourite Characters" countdown, and I apologise if I'm treading the same ground.

Miles is a divorced English teacher and struggling writer with a drinking problem. His best friend Jack is a soon-to-be-married, past-his-prime actor and serial womaniser. The two long-time friends are going on a road trip through the vineyards of Southern California, which is to serve as Jack's bachelor party, but both have hidden agendas: Miles simply wants to drown his sorrows, and is essentially using Jack as an enabler for this; Jack wants to have one last fling before he settles down, and hopes to find a partner for Miles as well.

Sure enough, Jack meets a wine pourer named Stephanie, and they immediately hook up to the point where Jack is willing to move house to be with her. Meanwhile, Miles meets a waitress named Maia and develops a connection, but is too timid to take things further. This establishes them both perfectly, with Jack's impulsive nature with little regard for the consequences of his actions, and Miles' tendency to play it safe and take little chances.

These contrasting flaws provide an excellent dynamic, allowing the two to complement one another. While they are both terrible people, they do genuinely care for one another. Their flaws essentially cancel each other out. Jack would be making too many poor choices if Miles wasn't there to hold him back, and Miles would be stuck in his self-destructive comfort zone if Jack wasn't there to push him forward.

Again, this is another dynamic I wish to borrow from. Instead of a "big one and little one" or "brawn and brains" duo, we have a duo in which one character is too impulsive while the other is too cautious, so there's a happy medium between the two.

Favourite Duos #7 - David Lister and Arnold Rimmer (Red Dwarf)

One of the classic odd couples in comedy, from one of my favourite TV shows of all time.

David Lister is a Third-Class Technician aboard the mining ship Red Dwarf. He's lazy, unkempt, and lacks ambition, but is still a moral individual and quite mechanically inclined. He shares his quarters with Second Technician Arnold Rimmer, his immediate superior who contrasts him in every way: While Lister has talent but no ambition, Rimmer is eager to advance his career but is too incompetent to have any hope. While Lister is laid back, Rimmer is neurotic and petty (not to mention egotistical). While Lister is prone to displaying strong moral courage, Rimmer is a dirty coward. Or to use the show's dialect, a smeghead.

After Lister survives the radiation leak which kills the rest of the crew, Rimmer is brought back as a hologram to keep him sane. And because of his ego, he tries to assert his (minimal) authority by claiming to be captain on the grounds that he is technically the highest-ranking crew member aboard the ship. Since Lister does not respect his authority, this goes about as well as you'd expect.

I think the first two seasons highlight this dynamic the best. Kryten hadn't joined the crew yet, and Cat wasn't really involved in the stories at this point. The best example from this series is in "Balance of Power", in which Rimmer confiscates the ship's entire supply of cigarettes and rations them to coerce Lister into working for him. Lister tries to get around this by taking a chef's exam; it's the easiest exam around, and if he passes, he'll technically out-rank Rimmer. The episode also establishes their relationship when Lister asks Holly about his decision to bring back Rimmer. Holly claims that Rimmer was the person he knew best because they exchanged a total of 14 million words. Lister's response: "7 million of those were me telling him to smeg off, and the other 7 million were him putting me on report for telling him to smeg off."

That said, there are some moments when Lister does genuinely care for Rimmer if the latter's depressed, showing that their relationship isn't entirely antagonistic. Rimmer is also surprisingly egalitarian and open-minded when it comes to conflicting beliefs.

The isolation of the show accentuates this greatly, providing some true comedic gold.

Favourite Duos #8: Frasier and Martin Crane (Frasier)

Credit to Frasier Denied

My parents recently got me hooked on Frasier, and a few people online have said that anybody who is interested in writing comedy should watch it. There's certainly a defiance of the old saying "Like father, like son."

Dr Frasier Crane is a psychiatrist who hosts a radio talk show in Seattle. He has a high opinion of himself, and sees himself as an upper-class intellectual with fine tastes. In contrast, his father is a retired police officer from a working-class background who is more down-to-earth. He prefers sports and action films over theatre, and beer over wine.

While Martin does have his silly moments, he often serves as a "straight man" to Frasier's stubbornness, neuroses, and sense of superiority. That said, he is often amused by his son's misfortunes, but is still able to offer good advice and does genuinely care for him.

Frasier was a show built on irony, and the relationship between Frasier and Martin perfectly encapsulates this. While Frasier dispenses intellectual knowledge and refinement, Martin's advice tends to be more pragmatic, and he displays more common sense.

In a deeper example of irony, one of the recurring symbols in the series is Martin's favourite armchair, which he brings with him when he moves in with Frasier. The armchair in question is well-worn, and stands out among Frasier's well-furnished apartment (much to his consternation). In one episode, Frasier accidentally destroys the armchair, creating a rift between the two, but he later has it recreated. Which ended up making it the most expensive piece of furniture in the apartment.

I heard talk of Frasier being revived, but I'm not really in favour of it. Martin was one of the driving forces behind the series, and without John Mahoney, they'd never be able to recreate that dynamic.

Favourite Duos #9: Butch and Sundance (Butch Cassidy and the Sundance Kid)

I've already talked about this film already as part of my "Western Weekends" series, but I still think the title characters are great.

Robert Leroy Parker, known to all as "Butch Cassidy" is the leader of The Hole in the Wall Gang. He's very laid back and affable, always seeking grander schemes while making friends with everybody he meets (even if he's robbing them). His closest companion is a laconic gunslinger named Harry Longabaugh, known to all as "The Sundance Kid", who serves as his brawn. Well, to some extent. It's established at the beginning that Sundance is handy with a gun, but he relies more on his reputation than his actual skill. This is shown when he's accused of cheating, but the accuser backs down when he finds out who he is.

Butch is always coming up with ideas, and Sundance will always provide a snarky comment when they don't work out. This also shows that Sundance is a lot more pessimistic than Butch. Their bickering provides some of the funniest dialogue in cinema, most notably in this scene where they are cornered on a cliff by the posse hunting them. Sundance seems to be more willing to make a last stand than Butch, who devises an even crazier escape plan and has to convince him. It perfectly establishes Butch's thinking aloud as Sundance argues them with a few choice lines.

In an even more extreme example (with a minor spoiler), the pair are confronting Bolivian bandits who have killed the payroll carrier they're escorting. While staring them down, Butch awkwardly reveals that he has never killed anybody in his life, and Sundance is desperately trying not to facepalm (and break contact with the bandits), but is able to help see them both through.

As he says it best, "You just keep thinkin', Butch. That's what you're good at."

Favourite Duos #10 - George Milton and Lennie Small (Of Mice and Men)

I thought I'd start my countdown by looking at the main protagonists of John Steinbeck's Of Mice and Men. I'm sorry to invoke bad memories of English GCSEs for people, but these two migrant workers in Depression-era California certainly are a duo with a dynamic. I think most "Brawn and Brains" duos owe a lot to these characters.

George is a somewhat small man who is very intelligent despite not being educated. His closest companion is Lennie, a much larger man with a developmental disability.

While Lennie is what TV Tropes refers to as a "Gentle Giant" who likes stroking animals and soft materials, his biggest flaw is that he doesn't know his own strength. This is established early on through an argument which reveals that Lennie had been accused of rape after feeling a young woman's dress, and is also known to accidentally kill the animals he tries to pet. It's something which develops conflicts throughout the story.

Meanwhile, George is acting as a caretaker since the death of Lennie's aunt. He's constantly frustrated by the trouble Lennie brings on them both, but he has no intention of abandoning him. In a time where prospects were bleak for most people, Lennie's dream of owning a farm and tending to rabbits serves as a driving force for George. This means that George needs Lennie just as much as Lennie needs George.

I probably don't need to mention how this dynamic eventually plays out, because most of you know already, and I prefer to leave it a surprise if you're fortunate enough not to. Plus I'm hearing the sirens from Kill Bill in my head and want to steer this away from "I hate exam boards" territory.

While I may not have taken the mental aspects of the duo, I've certainly borrowed from the physical elements in my own work. Especially from Lennie.

I'll see you tomorrow for a duo I thankfully didn't have to write essays on at school.

Top 10 Favourite Duos (Plus an Honourable Mention)

It's been a while since I did a Top Ten on the Writer's Block. I've seen various "top ten characters" countdowns around, but instead looking at single characters, I thought I'd look at two characters at a time. After all, the main characters in my work-in-progress are a duo, so I decided to think about influences.

I'm not really looking at "hero and sidekick", but rather duos which are more of an equal partnership. In other words, no Batman and Robin. The main thing I'm looking at is dynamic and contrast.

I'll start with an honourable mention by looking at Junkrat and Roadhog from Overwatch. Since I haven't played Overwatch, I can't really include them on the countdown. So, why I am mentioning them? Well, I was reading an excerpt from one of my stories at a writers' group meeting, and another  member said my MCs were like Junrat and Roadhog if they were pirates. And not as psychotic.

Intrigued, I searched on YouTube and found a promotional video: Junkertown: The Plan. In this short video, we follow Junkrat and Roadhog as they're kicked out of Junkertown, a Mad Max-style scavenger community in the Australian Outback, and seek to get even with a plan which requires money and explosives.

Junkrat is established as being a small but troublesome pyromaniac who is egotistical and talkative, while Roadhog is a silent brute who serves as the muscle. Although he doesn't say anything, and you can't read his face behind the mask, he is always able to point out flaws in Junkrat's zany schemes. I love how his method of arguing is simply stopping the plan from moving ahead until Junkrat sees what he's overlooked.

While it's a short video, it establishes their characters well, and makes me wish they'd do more, so I can see what others kinds of antics they get into.

Anyway, I'll be back tomorrow to start the real countdown.

A Rake's Progress

The Young Heir Takes Possession of The Miser's Effects

Surrounded by Artists and Professors

Looks like I'm diversifying into writing about art. Well, I always considered myself a visual learner. Last year I stumbled across the works of the 18th Century painter and satirist William Hogarth. It was while doing some research for one of my stories that I discovered A Rake's Progress, a series of eight paintings Hogarth produced between 1732 and 1734, first as canvas and then as engravings. This series, along with his earlier A Harlot's Progress and later Marriage A-la-Mode could be regarded as the first storyboards.

The Tavern Scene

Arrested for Debt

A little context first; a rake is a person (usually male) who is habituated to immoral conduct, typically gambling or womanising. The "original" rakes were a group of witty and carefree aristocrats in the court of King Charles II who combined riotous living with intellectual pursuits and patronage of the arts. Known as "The Merry Gang" or the "Restoration Rakes", their shocking escapades and antics became popular, as they were seen as rejecting the Puritan doctrine of the Lord Protectorate which governed England previously. In fact, the rake became a popular stock character in the Restoration comedies produced at that time. Unfortunately, attitudes changed after King Charles died without a legitimate heir, which would have dangerous consequences for the whole kingdom. 

Married to an Old Maid

Scene in a Gaming House

After The Glorious Revolution, the archetype of the rake became the subject of morality tales, the most famous of which was Hogarth's A Rake's Progress. These paintings follow Tom Rakewell as he inherits a substantial fortune upon the death of his father. Eager to live a more lavish lifestyle than his miserly father, he breaks off his engagement to his girlfriend Sarah Young, and exchanges his father's drab home for a more upscale bachelor pad. The second and third scenes show both aspects of his new lifestyle, holding formal receptions with his entourage upon waking up (based on a royal practice known as a levee) , and spending the nights carousing in taverns and brothels (and most likely contracting syphilis). Soon, his lavish lifestyle soon incurs lavish debts, bringing the bailiffs down on him. However, he is saved by Sarah Young, who pays his bail, but he tries to alleviate his debts by marrying a wealthy old woman (while eyeing her maid). It's only a matter of time before that fortune is gambled away, and our protagonist finds himself in a debtor's prison, before descending into madness and spending the remainder of his days in an asylum (most likely the infamous Bethlem Royal Hospital, also known as Bedlam).

The Prison Scene

In the Madhouse

I found these canvas versions on Wikimedia Commons, where you can also find engraved and print versions, which show some of the finer details of the paintings. For example, it's not clear in the canvas version, but in the sixth painting, Tom is shown between a nobleman brokering a loan from a moneylender to keep playing, and a dejected-looking highwayman (he's wearing boots rather than shoes, along with a riding cloak, and there's a mask and pistol sticking out of his pocket). I recommend you check out all three versions.

Happy writing.

Happy New Year

New Year, New Hat

Happy New Year. I've pretty much had a lazy day today, binge-watching the third and final season of A Series of Unfortunate Events which was released on Netflix today. I reviewed it a while back, and will pretty much say what I said before; it gets bleak and depressing, but there's still an element of intrigue and mystery which keeps me interested. Patrick Warbuton's great as Lemony Snickett, and (as was revealed in the teaser) I was looking forward to seeing what role he'd have in the story beyond his unconventional narration now codified on TV Tropes.

I'll be going back to university soon, I've got an assignment due in the first week back, but thankfully no exams (if there were exams, I wouldn't have enrolled).

Anyway, will I have resolutions this year?

Well, as mentioned before, I thought I might try National Poetry Writing Month in April. I also thought I might try and compete in a BUCS fixture with the fencing club.

Other than that, keep writing, try and get something published, attend to my teetering TBR pile, and keep posting on here. I've been writing in my journal every day, and I might share the most noteworthy parts on here.

Happy writing for 2019.

Oh, and I'm NOT doing Dry January.